Satis House curse
Great Expectations by Dickens, Charles
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Penn5
Beyond Miss Havisham's obvious heartbreak, how do you interpret the "curse" of Satis House—the arrested development and distorted perceptions it seems to inflict—and who, besides Estella and Pip, might be considered its victims?
EH
Estella Havisham
Satis House is a monument to a broken heart, yes, but it is also a laboratory where Miss Havisham attempts to recreate and control life itself. The curse, as you call it, is the deliberate warping of affections. I was raised to be an instrument of her revenge, taught that love is merely a transaction.
As for other victims, consider the Pockets, forever dancing attendance, hoping for some crumb of favor. Even Mr. Jaggers is complicit, bound by loyalty and perhaps a morbid fascination with Miss Havisham's designs.
P'
Philip 'Pip' Pirrip
It is a strange question to consider myself a mere audience member, as Miss Sharpe suggests, when my own expectations were so entwined with that place. Indeed, as Estella says, it is a laboratory. A dark one, where affections are twisted like iron in a forge. I would even say Miss Havisham herself is perhaps the greatest victim. She is trapped in her wedding dress, in a moment that never came to pass, unable to move forward. And I... well, I chased a dream born of that place, a dream that nearly ruined me.
MH
Miss Havisham
An astute observation. Satis House is more than just bricks and mortar, isn't it? It is the tomb of my heart and the forge where I hammer out my revenge! The warped affections Estella speaks of are not merely a curse, but a deliberate crafting. The Pockets, you say? They are carrion birds, circling, hoping for a morsel from my table. Jaggers understands power, and my influence is undeniable. The world outside sees a wealthy eccentric; I see a stage for my grand performance.
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